A few months ago the search for the perfect machine binding began. Is there such a thing? If so, I haven't found it yet. I've tried several types, the quilts below are the best ones to date. Both are pretty good; but not quite good enough. Is it possible that my standards are too high? Maybe I just haven't done enough of either to be really good. I think I need to try a few more before I give up and sew the bindings on by hand.
The quilt above doesn't actually have a separate binding. The back of the fabric was brought to the front, folded and mitered at the corners and sewn on with a straight stitch. It was pretty fast but it doesn't give the finished appearance I want.
This binding technique is the one that Ricky Timms uses on his quilts. I watched his Grande Finale video and decided to give it a try. I watched it two times, took notes, purchased a special foot, Pearle cotton and set to work. There is definitely a learning curve on this one. Mitering the corners are the hardest part.I like the two colors on the binding. I think it adds a wonderful spark to the edge. Hopefully, the next one will be much quicker!




"Winter Wonderland" is made using all commercial fabrics. It was inspired by a black and white photo of trees covered in snow.
"Spring Has Sprung III" was made using using all hand-painted fabric that I created. The background is sun-printed, the trees are discharged and the flowers are painted. 


My friend, Isabel, lived in Guatemala for several years and collected a lot of hand woven fabric. It is hand dyed on the side of the road and then woven by the same woman on a loom that is attached to her body. It is so 
This background is sun-painted and stamped with metallic paint. The foreground has silk flowers foil centers and silk leaves.
This was painted with
The background is
The beige design has been discharged using a bleach pen. Red foil dots were applied.








