December 14, 2007
Take It Further Challenge
Susan B will be the administrator for this monthly technique challenge. On the 1st of each month she will post a concept and/or color challenge (your choice). The challenge is to take the idea, develop it and push it towards a resolved design during that month. You can work in any medium and size that you chose. Post your progress throughout the month on your blog.
Sound interesting? You're not alone . . . there are already over 200 artists from all backgrounds signed up.
December 13, 2007
The Cat is Out of the Bag!!

December 10, 2007
Do I Like Bright Colors?
If you don't like bright colors, it's time to turn away. Consider yourself warned!


Aren't they beautiful? We had a lot of fun at the Blockhead Christmas Party. Great company, wine, food, fabric exchange and our Seminole Strip Exchange. Below are 8 out of the 9 strips exchanged (Ranell couldn't make it).
December 8, 2007
Seminole Strip Exchange
My fabric sample and strip is the first one shown above; orange background with a green and blue cross. The fabric has many colors, all very bright.
It has been a long time since I pieced a traditional block. There was a lot more precise measuring and stitching than I remembered!
We actually did the exchange earlier today. I'll take some photos tomorrow and show you all of the strips I received. I knew my fabric was bright, but I was surprised just how bright the finished strips were. They are great and I love the way they turned out.
November 27, 2007
More Painted Fabric
This first piece is completely covered in Lumiere. It is quite shiny and stiff like paper.
You need to work fairly quick for this technique. This piece was painted with a 50/50 mix of Setacolor and water. I used two blues and one red. After the fabric was painted, I added some creases for texture. I sprayed another piece of fabric with water and placed it directly on top of the wet paint. I pressed the fabric down and rubbed gently in places. The top fabric absorbed some of the color and resulted in a softer version.
This next piece was a new technique for me and I'm sure I'll do it regularly. You will need Elmer's Gel Glue, a foam stamp, fabric and paint. I used a 50/50 mix of Setacolor and water, two blues and one yellow. This photo is showing you what the fabric looks like after it has been completely stamped with the glue. I used a foam brush to spread the glue and added more glue between impressions. Be careful not to add too much glue though, you will loose the details.
This shot is showing how it looked as I started to add color. The flowers magically appear as soon as the color is applied. Make sure to choose colors that will blend well.
Here's the piece completely covered in wet paint. It was much darker than I had hoped and I thought that I had ruined it.
But the paint actually continued to mix together and it lightened considerably as it dried. The stamp became more pronounced as the fabric dried. It ended up looking like a beautiful batik!
I also ran six sheets of treated cotton through my inkjet printer with wonderful results. I'm not going to show those though, I have to leave something as a surprise! Now I have so many beautiful fabrics, I'm not sure which ones I want to trade with my Fibervision group.
November 25, 2007
Fiber ATC's
For the base I used a sheet of stiff felt and arranged my fabric strips on top. I covered the whole piece with yellow shimmer tulle and did an allover meandering quilting stitch.
I cut the the finished cards (2.5 x 3.5"), stitched each one with an additional linear pattern and satin stitched around the outside edge.
Now I need to get back to fabric painting for the Fibervision exchange and Seminole Stips for the Blockhead exchange.
November 23, 2007
Painted Fabric
This piece is a commercial fabric that had white on white roses. I bought it with the intention of painting it. It has 3 layers of different paints. Some areas are highlighted with metallic Lumiere.
This began as a plain white pfd fabric. I applied metallic Lumiere to the cross section of pool noodle and stamped the large circles. I then stamped with sponge and a rubber stamp. Once dry, the metallic paint acts as a resist. I wet the fabric and applied green, blue and yellow Dye-na-flow all over. I sprinkled salt on top and added another wet layer of fabric on top and squished it all together. The top fabric picks up the excess paint and leaves you with a pretty soft pastel version of the base layer.
It was actually painted in this horizontal orientation, but I flipped it around 9o degrees counter clockwise and loved the composition. I instantly saw a landscape and decided to add a palm tree that was left over from another project. 
What do you think? Should I continue with my landscape vision or chop it up and use it as fabric?
This piece actually began quite a while ago. It was two silk-screened prints side by side. I decided to embellish it with more paint and texture and blend it to create one long piece. all the shapes are outlined with Lumiere.
ELVERHOJ MUSEUM: The reception was a lot of fun. It was so exciting to see our work hanging in such a fantastic venue. It truly looks amazing. I was very proud of all of us. I am very thankful to be part of such a talented and friendly group of artists. I sold one wall piece during the reception and quite a few postcards. Pieces of the Past (posted on Aug 19th), will have a new home in January. Fortunately, I know the new owner, so I've been granted visitation rights! LOL Cathi, I hope you enjoy the piece as much as I enjoyed making it!
November 13, 2007
Photoshop Fun
This is the "Before" Photoshop manipulation photo. It is a metal grid that holds a large outdoor light in a parking lot. I was instantly attracted to the linear graphic pattern. There is no telling what I will stop to take a photo of. I'm sure many people think I'm a bit strange! LOL
This is the "After" Photoshop Manipulation photo. It still has the same basic structure but I think it's more exciting. Here's how I did it, more or less. Keep tweaking the numbers until you get the effect that works best for your photo.
1. Choose Layer/Adjustment Layer/Color Balance and move the sliders until you get a color you like. You can select different color combinations for the Shadows/Highlights/Midtones.
2. Make sure your background layer is highlighted. Select Filter/Texture/Stained Glass. Move the sliders for different effects. Smaller cells will result in an image that resembles the original. Larger cells will be very abstract. Here are my parameters: cell size: 7, border thickness: 4, light intensity: 4.
3. Choose Layer/Flatten Image/Save As: jpg. If you want to save as a Photoshop file, do not flatten image.
Make sure you play with all the sliders and try to keep notes on the effects you like. Otherwise, you won't remember how to do it again! Hope you find this helpful.
November 12, 2007
Newest Creations
The fabric is cut velvet with a black sheer background. It looks and feels wonderful. I've only used 1/3 of the HUGE blouse, so I have plenty left for another project. I'm thinking either a vest or a handbag.

November 6, 2007
Architectural Inspirations
This is Jimmy's Chinese Restaurant. It is a historic landmark and is about to undergo renovation. I LOVE the colors and hope they don't change it.
This is a wall at the Historical Museum. I love the layers of decaying color and texture next to the new window shutter.
This is a restored bedroom at the Presidio where the Spanish soldiers slept. Every single brick used in the construction of this building were made by hand and baked in the sun.
October 27, 2007
Fiber Postcards
This one was made by discharging the fabric with bleach. Then red foil was added to the design.
The background was sun-printed and stamped. Silk flowers and leaves were stitched on and a little foil was added to the flower center.
This piece was transferred from a photo of a rock wall. The cracks are heavily stitched for a three dimensional effect.
The background was sun-printed, then stitching and foil was added.
If you are planning a trip to central California (Solvang, Danish capital of America), stop in to see this exhibit. It is called "Color & Cloth Redefining a Traditional Art Form". It is going to be amazing, if I do say so myself. I have two pieces on exhibit. I think there are around 50 pieces. Our reception is on Friday, November 16 from 5 - 7 pm and we have a panel discussion with the artists on January 6th. Hope some of you can make it!
October 21, 2007
SB Artist Trading Card Group
I'm hard at work on my regurgitation challenge piece for Fibervision that is due next Saturday. I'll post some photos as soon as I finish. I'm also working on a seminole exchange for my Blockheads group. So much to do, so little free time.
