This first photo has some purchases from a store in San Jose that Ellen Anne Eddy recommended called Fabrics R Us. If you like fabrics that stretch, shimmer and shine, this is the store for you! Actually, they have two other stores in the same mall, one has upholstery fabric and the other had and odd mix of stuff. I bought the lime green ultrasuede and three types of silk, and some plain white canvas fabric that is waiting for some paint. The three fabrics on the right came from PIQF.
This is a sampler pack from Cherrywood Fabric. Cherrywood is the only solid fabric I ever buy. Well, I suppose that isn't completely true. I buy white to paint and dye and black to discharge. Anyways, if you've never seen their fabric before, you're missing out. It's all hand dyed and has a beautiful, suede like finish to it. Each piece is around 8 x 10" and there are a zillion colors.I also bought some white on white fabric to paint and two patterns which I forgot to take a photo of. One is a Quiltcoat by Tabitha Quilts and the other is a Bellino Bag by Ghee's. I seem to collect patterns but never make anything! I'm sure I'm not alone . . . please, tell me I'm not alone!
Cut a hole out of an index card, I have 4 different sizes that I use. Move it over a magazine page, fabric, etc. until you see a composition that you like. Jeanne traces the design, but I have a hard time seeing the details through the tracing paper, so I just draw what I see.
Turn each one around to see if a different orientation looks better. Choose a composition that you like and develop in whatever way suites your style.

Next, I
Here I've changed the colors by changing the master saturation to +60, the hue to +52 and the lightness to 0.
I've decided to displace a photo of circles. The horizontal and vertical setting was 70. The displacement map was stretch to fit and the undefined areas are wrap around. I like how the circles added texture to the large areas, but it's a little too obvious.
So, I added a tile filter. The number of tiles was 50, the offset was 20% and the background color was black. It knocked the circle back a bit and added another layer of texture. I like it, so I'll stop here.
I wasn't prepared for how different it looked hanging vertical on the wall. When it was flat, I hadn't noticed the plaid design, the triangles within triangles, the diamonds,, the hexagons, etc. Every time I look at it, I see different shapes! The colors are gorgeous and the color values were handled beautifully. Great job, Kathy!
Here's our next project. Not quite so beautiful, huh? I didn't really get the "before" photo. All the Juniper bushes have already been removed. Those itchy bushes should have been removed 20 years ago! All you can see in this photo are the stumps. Yeah!
We also removed the Veronica bushes along the curve. We still need to remove all the 
Hopefully, you can see some of the hand stitching in the vertical 



The background is a hand-painted piece of fabric. The mountains, clouds and sun were formed using layers of tulle and the raw edged flames are made from organza and commercial cottons.
Spin Cycle is, by definition, a whole cloth quilt. The top is one piece of fabric that has been painted, then stitched, and embellished with hardware. Yes, you read that correctly. There are brass washers and silver lock nuts in two different sizes and of course, beads and embroidery. And, once again, the batting is exposed. Don't you just love the colors and textures in the close-up photo?
Do you name your pieces? If so, how do you chose a name? Does it pop into your head when you're in the shower? Do you dream about it? Do you find the process difficult or easy? I would love to hear from you.
For this piece, Andi pressed a 2" x 10" plastic packaging piece onto the red gelatin plate several times.
I think I used a combination of baby blue and grey on this piece. I pressed a face stamp all over the paint.
We used berry baskets and plastic netting from fruit boxes for the first print. Once dry, we inked the plate with yellow and pressed a potato masher into it.
First I ran a notched squeegee through the paint, then I stamped into it with a large grid. When it was dry, I used purple paint to stamp the large grid on top.

I had fun arranging the cross-sections into various compositions. Andi thought they looked like ladybugs. What do you see?

